From South Africa to the World Author: Albert Wertheim Publisher: Indiana University Press ISBN: 048 Category: Drama Page: 273 View: 4472 'Albert Wertheim's study of Fugard's plays is both extremely insightful and beautifully written—a book that held my attention from beginning to end. It was a pleasure to read! Ne gorit lampa 4vd na surf 130 2.

Wertheim succeeds in communicating the greatness of Fugard as a playwright, actor, and director. He also conveys well what Fugard has learned from other plays and dramatists.

Thus, he places Fugard's works not so much in a South African context as in a theatrical context. He also illuminates his interpretations with the help of Fugard's manuscripts, previously available only in South Africa. This book is aimed not only at teachers, students, scholars, and performers of Fugard but also at the person who simply loves going to see a Fugard play at the theatre. —Nancy Topping Bazin, Eminent Scholar and Professor Emeritus, Old Dominion University Considered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot,'MASTER HAROLD'. And the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalized racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyzes the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems.

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Jan 1, 2014 - This study examines the artistic vision in four of Athol Fugard's plays as communicated through the. The Island,(1973) is yet another play of this study. Encouraging Hally to excel in his studies a role that should be.

Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world. Contemporary African Drama and Greek Tragedy Author: Astrid Van Weyenberg Publisher: Rodopi ISBN: 940120957X Category: History Page: 215 View: 4234 This book explores contemporary African adaptations of classical Greek tragedies.

Six South African and Nigerian dramatic texts – by Yael Farber, Mark Fleishman, Athol Fugard, Femi Osofisan, and Wole Soyinka – are analysed through the thematic lens of resistance, revolution, reconciliation, and mourning. The opening chapters focus on plays that mobilize Greek tragedy to inspire political change, discussing how Sophocles’ heroine Antigone is reconfigured as a freedom fighter and how Euripides’ Dionysos is transformed into a revolutionary leader.